Workshop for Teachers

Using Traditional American Music
To Explore History


PURPOSE
This workshop is designed to share an approach to studying and teaching American, North Carolina and South Carolina history using the traditional music of the American people and their related instruments. Music tells a story of our past, as the songs people sang were often directly related to historical events or a cultural expression of prevailing morals, values and attitudes. Music seen in this light gives us a lens to view history.

Tracing the origins of Yankee Doodle for instance, brings us to Oliver Cromwell after the uprising against King Charles I, then to Albany, NY in 1755 as the British were preparing to attack the French and Indians at Niagara. The song was first sung in America by British militia poking fun at the ragged appearance of Colonial soldiers. Twenty five years later in Yorktown, victorious Colonial troops proudly (and perhaps cynically) sang it at Cornwallis’ surrender. Likewise exploring the roots of the Appalachian lap dulcimer brings us to the 1730’s as Germans and Scotch-Irish migrated south from their homesteads in Pennsylvania, beginning the first significant white settlement into the Appalachian mountains.

In this workshop, discussion will be mixed with the presentation of songs performed on various instruments. For example, participants may be taught to sing the spiritual Daniel which was traditionally sung in “call and response” style, a method used to quickly teach a religious congregation new songs.

This workshop offers an integrated approach to the teaching of social studies, particularly history, in its use of music as a tool to explore the subject. Participants will gain insight into this approach, and learn specifics about certain songs and instruments and their relationship to history. They will also see how: 1) music can be a cultural reflection or expression of an ethnic group, community or entire people, 2) each group of people has their own specific cultural expressions, 3) examining the meaning of a song can tell us many things about people, their way of life and their historical/cultural setting and 4) our own heritage is a direct reflection of past cultures. 

Resource material will be available listing general references, discography and distributors of traditional music recordings.

PRESENTATION OUTLINE
Note - The following is a general outline. The content of a program will vary depending on length of presentation.

Hop Hi Ladies (Appalachian dulcimer) -
Early piedmont settlers and their living conditions

The Gypsy Davie (ballad)
The South’s connection to British Isle’s oral tradition

Stay All Night (banjo)
Old-time popular instruments, fiddle tunes, string bands

Who Is This Man (psalms)
Psalms of the Pilgrims and early colonists.

Windham (religious song)
America’s 1st songwriters, revivals, hymns, spiritual, sacred harp singing

Fanning to Frohock (jaw harp)
The Regulators of North Carolina

Young Ladies in Town (guitar)
Sons of Liberty calling on women to boycott English textiles and other goods

Daniel (spiritual)
African culture, slavery, black spirituals

Swing Low, Sweet Chariot (spiritual)
Slavery’s end, Jubilee singers

Ham and Eggs (work songs)
The field holler: precursor to the blues, sharecropping, tenant farmers

Good Morning Blues (guitar)
Influence of African music and culture on today’s pop music

Tenting Tonight (guitar)
Civil war songs of the North

Hard Crackers (guitar)
Civil war songs of the South

The Boatman Dance (mandola)
Minstrel shows

The Erie Canal (banjo)
Opening of the Western Frontier

The Housewife’s Lament (bouzouki)
Settling the Ohio River Valley and beyond

Ho, Westward Ho (accordion)
The Gold Rush of 1849

Drill, Ye Tarries, Drill (bouzouki)
The railroad crossing America

The Pot Wrestler (harmonica)
Cowboys and the west

Haul Away Joe (concertina)
Sea chanteys, work songs

The Winnsboro Cotton Mill Blues (guitar)
Transition from an agrarian society to an industrialized  civilization. Textile and tobacco mills

This Land Is Your Land (guitar)
America’s other national anthem

Workshop length: This presentation can be given in a 2 hr. to 3 hr. session.

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